Audition Schedule

Upcoming Auditions

Our 18-19 Season!
Stories of America

Change
By Michael Slide

Production Dates: September 28-30, 2018
Submissions open: July 7, 2018

Audition Workshop: August 1 7-9:30pm
Audition Dates: August 7/9    7-9pm
August 11     12-4pm
Callbacks:         August 14     7-10pm

Please bring: A headshot/resume if you have one and a list of all conflicts between August 22, 2018 and October 20, 2018.
No conflict dates: August 22. September 18. September 22-30. October 19-20.
Please prepare: A one minute dramatic monologue.
Pay: All roles are unpaid due to festival regulations.

There will be no rehearsals August 31-September 3, 2018.

Please note: This is our competition piece. All participants will be required to travel to Savannah on October 19-20. Competition fee and one night lodging in Savannah will be provided.
Additional competition fees will be paid, as well as travel expenses if the show is selected to advance to SETC or AACTFest.

SETC Dates: February 27-March 2, 2019   Knoxville TN  (Exact dates TBA if show advances)
AACTFest Dates: June 18-22, 2019   Gettysburg PA  (if show advances)

Second Samuel
By Pamela Parker

Production Dates: October 26-November 10, 2018
Submissions open: July 15, 2018

Audition Workshop: August 15 7-9:30pm
Audition Dates: August 16     7-9pm
August 18    12-4pm
August 21    7-9pm
Callbacks:         August 23    7-10pm

Please bring: A headshot/resume if you have one and a list of all conflicts between August 30, 2018 and November 11, 2018.
No conflict dates: August 30. October 16. October 20-25, November 11.
Please prepare: A one minute comedic monologue. Be prepared to read from the script.
Pay: All adult roles are paid a stipend.

There will be no rehearsals August 31-September 3, 2018.

Making God Laugh
By Sean Grennan

Production Dates: December 7-15, 2018
Submissions open: August 11, 2018

Audition Workshop: August 29 7-9:30pm
Audition Dates: September 11/13    7-9pm
September 15         12-4pm
Callbacks:         September 20         7-10pm

Please bring: A headshot/resume if you have one and a list of all conflicts between September 29, 2018 and December 16, 2018.
No conflict dates: September 29. November 27. December 1-6, December 16.
Please prepare: A one minute comedic monologue
Pay: All roles are paid a stipend.

There will be no rehearsals November 18-23, 2018.

Blues for an Alabama Sky
By Pearl Cleage

Production Dates: January 18, 2019-February 2, 2019
Submissions open: August 11, 2018

Audition Workshop: October 3  7-9:30pm
Audition Dates: October 9/11    7-9pm
October 14       5-9pm
Callbacks:         October 28       6-9pm

Please bring: A headshot/resume if you have one and a list of all conflicts between November 3, 2018 and February 3, 2019.
No conflict dates: November 3. January 8. January 12-17, February 3.
Please prepare: A one minute dramatic monologue. Be prepared to read from the script.
Pay: All roles paid a stipend.

There will be no rehearsals November 18-23, 2018 or December 20, 2018-January 3, 2019.

Women in American Theatre Project
By Various

Production Dates: February 2019
Submissions open: December 6, 2018

Audition Dates: January 6   5-9pm

Please bring: A headshot/resume if you have one and a list of all conflicts in February 2019.
No conflict dates: NA
Please prepare: TBA
Pay: No pay.

Each reading will have one rehearsal and one staged reading. Actors will keep their scripts. Actors may be cast in more than one reading based on actor interest and needs of each play.

Ragtime
Book by: Terrence McNally
Music by: Stephen Flaherty
Lyrics by: Lynn Ahrens

Production Dates: March 15-24, 2019
Submissions open: December 1, 2018

Audition Workshop: December 19  7-9:30pm
Audition Dates: January 3   7-9pm
January 5    12-4pm
January 10  7-9pm
Callbacks:        January 13      2-6pm

Please bring: A headshot/resume if you have one and a list of all conflicts between January 19, 2019 and March 24, 2019.
No conflict dates: January 19, March 5, March 8-14.
Please prepare: A one minute dramatic monologue and 32 bars of a song appropriate to the style of the show. Be prepared to dance if called back.
Pay: There are 4 paid teaching artist roles in this show. They are Mother, Tateh, Coalhouse, and Sarah. Adults cast in these roles will be paid a stipend. All other roles are unpaid.

There will be no rehearsals February 14.

Servant of Two Masters: Flipped!
By Carlo Goldoni

Production Dates: April 11-14, 2019
Submissions open: January 2, 2019

Audition Workshop: January 30  7-9:30pm
Audition Dates: January 31    7-9pm
February 2    12-4p,
Callbacks:         February 6       7-10pm

Please bring: A headshot/resume if you have one and a list of all conflicts between February 10, 2019 and April 14, 2019.
No conflict dates: February 10. April 2. April 6-10.
Please prepare: A one minute comedic monologue. Be prepared to read from the script. Be prepared to jump around/improv.
Pay: This is our fundraising show. No pay.

There will be no rehearsals February 14.

The Book Club Play
By Karen Zacarias

Production Dates: July 12-27, 2019
Submissions open: March 23, 2019

Audition Workshop: April 17, 2019  7-9:30pm
Audition Dates: April 23/25, 2019    7-9pm
April 27, 2019         12-4p
Callbacks:         April 30, 2019         7-10pm

Please bring: A headshot/resume if you have one and a list of all conflicts between May 4, 2019 and July 28, 2019.
No conflict dates: May 4, June 25, July 6-11, July 28.
Please prepare: A one minute comedic monologue. Be prepared to read from the script.
Pay: All roles paid a stipend.

There will be no rehearsals May 12, May 24-27, June 14-16, July 1-5.