Upcoming Auditions
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26-27 Season Auditions
All specific show information appears below this notice.
Location: Pleasant Hill Presbyterian Church
3700 Pleasant Hill Rd
Duluth GA 30096
Submissions open: July 1, 2026
Audition Workshop: July 27, 2026
Audition Dates: August 1, 2026 9am-3:30pm
Please prepare: Two contrasting monologues.
Please bring: A headshot and resume if you have one and a list of any conflicts you may have for the productions you are auditioning for,
Audition disclosures: This audition is for all productions on the LAT 26-27 Season, which runs September 1, 2026- August 31, 2027. See individual shows below for specific
disclosures. Audition slots are 5 minutes, with appointments being seen before walk-ins.
The Light
Name of Show: The Light
Playwright: Loy A. Webb
Recommended audience: 16+ due to infrequent, severe adult language, and adult content.
Director: Andre Eaton Jr
Stage Manager: Becca Parker
Board Liaison: J. Blair Sanders and Megan Lynch
Production dates: October 2-10, 2026
Rehearsals begin on: 8/17/2026 (weekday evenings begin no earlier than 6, no rehearsals on Sundays)
Strike date: 10/11/2026
No conflict dates: 8/17/26, 9/28-9/30/26, 10/1/26, 10/2-10/3/26, 10/8-10/11/26
No rehearsals on: Sundays (except strike), 9/4-9/7/26
Submissions open: July 1, 2026
Audition Workshop: July 27, 2026
Audition dates: August 1, 2026
Callbacks: To be scheduled
This show will be fully cast from our 26-26 Season Auditions on August 1. No additional auditions will be held.
Pay: $50
Please prepare: a contemporary dramatic monologue
Please bring: A headshot and resume if you have one, and a list of all conflicts between August 17 and October 11, 2026.
Audition disclosures: Season Auditions on August 1 is the only audition date for this production. Callbacks may include the use of adult language.
Show description: Not every marriage proposal goes as planned. Loy A. Webb’s The Light introduces Rashad and Genesis on what should be one of the happiest days of their lives, but their joy quickly unravels when ground-shifting accusations from the past resurface in this gripping two-character drama. Can their relationship survive the growing
divide between them over who – and what – to believe? The Light is a reckoning that unfolds in real time and peels away the layers of truth, doubt, pain and, ultimately, the power of love.
Roles being cast: (Please note: Character descriptions are taken directly from the play and were provided by the licensing agent as part of our production agreement. LAT
policy is that any actor who can play the role as described by the playwright is invited to audition and may be cast.)
GENESIS – an African-American woman, natural hair, mid-to-late thirties
RASHAD – an African-American man, mid-to-late thirties
Disclosures: The show is about 75 minutes with no intermission. This play contains references to sexual assault.
Rashad and Genesis are a couple deeply in love. They dance with one another, sit in each other’s arms/lap and kiss each other.
Rashad massages Genesis’ feet, says the f word, the n word and other explicit language, fight choreography.
Genesis says the f word and other explicit language, fight choreography, describes in detail an instance of sexual assault.
Rumors
Name of Show: Rumors
Playwright: Neil Simon
Recommended audience: 16+ for adult language
Director: Rodney L. Johnson and Andre Eaton Jr
Stage Manager: TBA
Board Liaison: Rich Hammett
Production dates: November 6-14, 2026
Rehearsals begin on: 8/31/2026 (weekday evenings begin no earlier than 6, no rehearsals on Sundays)
Strike date: 11/15/2026
No conflict dates: 8/31/26, 10/30-10/31/2026, 11/4-11/7/2026, 11/12/-11/15/2026
No rehearsals on: Sundays (except strike), 9/4-9/7/26
Submissions open: July 1, 2026
Audition Workshop: July 27, 2026
Audition dates: August 1, 2026
Callbacks: To be scheduled
This show will be fully cast from our 26-27 Season Auditions on August 1. No additional auditions will be held.
Pay: $50
Please prepare: a contemporary comedic monologue
Please bring: A headshot and resume if you have one, and a list of all conflicts between August 31, 2026 and November 15, 2026.
Audition disclosures: This is the only audition for this production. Callbacks may include the use of adult language.
Show description: At a large, tastefully-appointed Sneden’s Landing townhouse, the Deputy Mayor of New York has just shot himself. Though it’s only a flesh wound, Charlie Brock’s self-inflicted injury sets off a series of events causing four couples to experience a severe attack of farce. As their tenth wedding anniversary party commences, Charlie lies bleeding in another room, and his wife Myra is nowhere in sight. The first guests, lawyer Ken Gorman and his wife Chris, scramble to get “the story” straight before the other guests arrive. As the confusions and miscommunications mount, the evening spins off into classic farcical hilarity.
Roles being cast: (Please note: Character descriptions are taken directly from the play and were provided by the licensing agent as part of our production agreement. LAT policy is that any actor who can play the role as described by the playwright is invited to audition and may be cast.)
KEN GORMAN – (40, male) A well-to-do lawyer. Wealthy, but by no means pretentious. Takes charge of the situation. Married to Chris. Halfway through the show, a gunshot causes his temporary deafness.
CHRIS GORMAN – (mid-30’s, female) Another lawyer, married to Ken. Beautiful, easily flustered. Frantically tries to maintain normalcy at the party. Has recently quit smoking, which drives her to drink a bit more.
LENNY GANZ – (Late 30’s, early 40’s, male) A wealthy accountant, distraught over the recent destruction of his new car. Starts the show with an extreme case of whiplash. Intolerant of the gossipy lifestyle that he is often involved in.
CLAIRE GANZ – (Late 30’s, female) Lenny’s wife. Very concerned with appearances (hers and others’). Starts the play with a swollen lip. Likes to gossip.
ERNIE CUSACK – (Early 50’s, male) A psychiatrist. Affable, smokes a pipe. Loves his wife very much. Tries to be as helpful as possible cooking the evening’s dinner.
COOKIE CUSACK – (40’s, female) Has her own cooking show. Suffers from extreme back spasms. Loves her husband very much. A bit absent-minded at times.
GLENN COOPER – (30-40, male) A handsome man running for State Senate. Worried about his own reputation. Struggles with placating his wife, who is convinced he is having an affair (which he may or may not be).
CASSIE COOPER – (late 20’s, early 30’s, female) Glenn’s beautiful wife. Obsesses over her husband’s relationships with other women. Quick to anger. Must rub her quartz crystal to calm herself down.
OFFICER WELCH – (30-50, male) A city police officer having a rough night. Does not tolerate lying. Sees through the “classy” façade that these high-society types put up.
OFFICER PUDNEY– (20-30, female) Welch’s partner. A strong but silent type.
Disclosures: This is an ensemble show, with most of the characters onstage at most times. This is a fast-paced, high energy show where the cast does a lot of running around, in and out of doors and up and down stairs.
KEN – Uses religious profanity, Is deaf for a chunk of the show and uses the p-word.
CHRIS – smokes cigarettes and uses the f-word.
LENNY – has a neck injury the majority of the show, uses religious profanity, the f-word and other curse words.
CLAIRE – uses profanity.
COOKIE – has a chronic back problem that causes issues during the play, crawls on her hands and knees and says the f-word.
ERNIE – smokes a pipe, uses the f-word and other profanity and burns his fingers.
CASSIE – says the f-word and uses religious profanity, tries to seduce other male characters in the show.
GLEN – gets a bloody nose in the show.
OFFICER WELCH – uses religious profanity.
Don’t Dress for Dinner
Name of Show: Don’t Dress for Dinner
Playwright: Marc Camoletti and Robin Hawdon
Recommended audience: TBA
Director: D. Norris
Stage Manager: TBA
Board Liaison: Barbara Allen
Production dates: January 15-23 2027
Rehearsals begin on: 10/20/2026 (weekday evenings begin no earlier than 6, no rehearsals on Sundays)
Strike date: 1/24/2027
No conflict dates: October 20, January 8-9, January 13-16, January 21-24
No rehearsals on: Sundays (except strike), Oct 31, Nov 21-28, Dec 1, Dec 23-31, Jan 1-2, Jan 18
Submissions open: July 1, 2026
Audition Workshop: July 27, 2026 and October 5, 2026
Audition dates: October 6, 2026
Callbacks: October 8, 2026
Pay: $50
Please prepare: a contemporary comedic monologue
Please bring: A headshot and resume if you have one, and a list of all conflicts between October 19, 2026 and January 25, 2027.
Audition disclosures: Callbacks may include the use of adult language.
Show description: Bernard is planning a romantic weekend with his chic Parisian mistress in his charming converted French farmhouse, whilst his wife, Jacqueline, is away. He has arranged for a Condon Bleu cook to prepare gourmet delights, and has invited his best friend, Robert, along too to provide the alibi. It’s foolproof; what could possibly go wrong? Well…suppose Robert turns up not realizing quite why he has been invited. Suppose Robert and Jacqueline will NOT leave for the weekend. Suppose the cook has to pretend to be the mistress and the mistress is unable to cook. Suppose everyone’s alibi gets confused with everyone else’s. An evening of hilarious confusion ensues as Bernard and Robert improvise at breakneck speed.
Roles being cast: (Please note: Character descriptions are taken directly from the play and were provided by the licensing agent as part of our production agreement. LAT policy is that any actor who can play the role as described by the playwright is invited to audition and may be cast.)
Bernard – (30’s, male) The not-so-happily married husband. A confident and wealthy businessman. He thinks he has everything under control, but his plans for an affair quickly unravel.
Jacqueline – (30’s, female) Bernard’s stylish and independent wife. She discovers his cheating and decides to stay home to pursue her own secret.
Robert – (30’s, male) Bernard’s best friend and Jacqueline’s secret lover. He is a nervous scoundrel who constantly stumbles through the lies he is forced to tell.
Suzanne – (30’s, female) Bernard’s mistress. A glamorous Parisian model. She is easily flustered and gets caught in the middle of a massive cover-up.
Suzette – (20’s, female) The newly hired, down-to-earth Cordon Bleu chef. She is dragged into the drama and forced to pretend to be Robert’s mistress.
George – (20’s, male) Suzette’s tough, intimidating husband. His sudden arrival threatens to expose everyone’s lies
Disclosures: This is an ensemble show, with most of the characters onstage at most times, with the exception of George. This is a fast-paced, high energy show where the cast does a lot of running around, in and out of doors and wrestling and dancing with each other.
BERNARD – Gets multiple liquids and sauces spilled on him
SUZETTE – has an assisted outfit change on-stage.
ROBERT and SUZETTE – have a drunken tango together.
ALL CHARACTERS – have scenes wrestling/fighting together
Pipeline
Name of Show: Pipeline
Playwright: Dominique Morrisseau
Recommended audience: 16+ for adult language and content
Director: Dharma Moreau
Stage Manager: TBA
Board Liaison: Celeste Campbell
Production Dates: March 12-20, 2027
Rehearsals begins on: January 11, 2027
Strike Date: March 21, 2027
No conflict dates: January 11, March 5-6, March 12-13, March 19-21, 2027
No rehearsals on: January 18, February 14, 2027
Submissions open: July 1, 2026
Audition Workshop: December 14, 2026
Audition Date: December 15, 2026
Callbacks: December 17, 2026
Pay: $50 stipend
Please Prepare: a contemporary dramatic monologue
Please bring: a headshot and resume if you have one and a list of all conflicts between January the 11th through March the 21st 2027
Audition disclosures: callbacks if needed, will be sides from the script sent at least 24 hours prior to the audition. Call backs may include the use of adult language.
Show description: Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son Omari opportunities they’ll never have. When a controversial incident at his upstate private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent. But will she be able to reach him before a world beyond her control pulls him away?
Roles being cast: (Please note: Character descriptions are taken directly from the play and were provided by the licensing agent as part of our production agreement. LAT policy is that any actor who can play the role as described by the playwright is invited to audition and may be cast.)
Nya – (mid to late 30s Black woman). Single mother. Public high school teacher. Trying to raise her teenage son on her own with much difficulty. A good teacher, inspiring her students in a stressed environment. A struggling parent doing her damnedest. Strong but burnt out. Smoker. Sometimes drinker. Holding together by a thread.
Omar – (late teens black man). Smart and ASTUTE. Rage without relief is tender and honest at his core. Something profoundly sensitive amidst the anger. Wrestling with his identity between private school education and being from a so-called urban community. Nya’s son.
Jasmine – (late teens black or Latino woman) Sensitive and tough, has a sharp bite and a soft smile. Profoundly aware of herself and her environment. Attends upstate private school but from a so-called urban environment. In touch with the poetry of her own language.
Xavier – (mid to late 30s black man ) Single father – struggling to connect to his own son. Marketing executive. Wounded relationship with his ex-wife, NIA. Financially stable period emotionally impoverished. Omari’s father.
Lori – (50’s white woman) Pistol level 1. Teaches in public high school and can hold her own against the tough students and the stressed environment. Doesn’t bite her tongue. And don’t mess with me chick.
DUN– (early to mid 30s black man) Public high school security guard. Bit and optimistic. Charismatic with women. Genuine and thoughtful in trying to be a gentleman in a stressed environment. It’s not easy.
Disclosures: The show has school violence and teen relationships.
The show takes place in the present-day urban public school system metro city area.
Omar and Jasmine have a kissing scene.
Omar and Xavier gets violent
Food and tea may be consumed on stage.
Nya has a small stunt of falling.
The Inheritance Parts 1 & 2
Name of Show: The Inheritance Parts 1 & 2
Playwright: Matthew Lopez
Recommended audience: 18+ due to severe adult language and adult situations.
Director: Becca Parker
Stage Manager: Bill Byrne
Board Liaison: Rodney L. Johnson and D.Norris
An intimacy coordinator will be a part of this production.
Production dates: July 15-24, 2027
Rehearsals begin on: 2/27/2027 (weekday evenings begin no earlier than 6, no rehearsals on Sundays)
Strike date: 7/25/2027
No conflict dates: 2/27/2027, 3/30/2027, 4/1/2027, 4/5/2027, 4/12/2027, 4/19/2027, 5/10/2027, 5/17/2027, 5/24/2027, 7/8-7/10/2027, 7/13-7/17 2027, 7/22-7/25/2027
No rehearsals on: Sundays (except strike), 3/26-3/28, 4/14-4/16, 4/21-5/3, 5/28-5/31, 6/18-20, 7/1-7/5.
Submissions open: July 1, 2026
Audition Workshop: July 27, 2026
Audition dates: August 1, 2026 (additional auditions may be scheduled in January 2027 if needed)
Callbacks: To be scheduled
This director intends to cast most, if not all roles from our 2026-27 season auditions to be held August 1 to allow actors time to learn the heavy line loads.
Pay: $50 per Part (please note, all characters except Margaret are in both Part 1 and Part 2)
Please prepare: a contemporary dramatic monologue
Please bring: A headshot and resume if you have one, and a list of all conflicts between 2/27/2027 and 7/25/2027.
Audition disclosures: Callbacks may include use of adult language and descriptions of adult situations.
Show description: Decades after the AIDS epidemic, three generations of gay men in New York City attempt to forge themselves a future. Inspired by E.M. Forster’s
masterpiece Howards End, The Inheritance examines survival, healing and what it means to call a place home.
Roles being cast: (Please note: Character descriptions are taken directly from the play and were provided by the licensing agent as part of our production agreement. LAT
policy is that any actor who can play the role as described by the playwright is invited to audition and may be cast.)
All young men play multiple roles and jump in and out of writing the story vs being part of the story.
Young Man One/Adam/Leo (male, 20’s any ethnicity) Appears in both Parts 1 and 2. A writer. Adam is a young, wealthy, gay man, who aspires to be a Broadway actor. Leo, who looks incredibly similar to Adam, is a young, gay male prostitute who has only known poverty.
Young Man Two/Jason #1/Doorman #1/Other Agent (male, Late 20’s-early 30’s, black) Appears in both Parts 1 and 2. A writer. Jason #1 is a young gay man who is married to Jason #2.
Young Man Three/Young Henry/Henry’s Assistant/Tucker (male, young 20’s any ethnicity) Appears in both Parts 1 and 2. A writer. Young Henry is Henry Wilcox when he first meets Walter in a flashback scene, Tucker is an artist who is dating Jasper.
Young Man Four/Man/Assistant/Young Walter (male, early 20’s any ethnicity) Appears in both Parts 1 and 2. A writer. Young Walter is Walter Poole when he first meets Henry Wilcox in a flashback scene.
Young Man Five/Charles Wilcox/Toby’s Agent (male, late 20’s early 30’s any ethnicity) Appears in both Parts 1 and 2. A writer. Charles Wilcox is a straight man who is the son of Henry Wilcox.
Young Man Six/Tristan- (male, 30’s Black) Appears in both Parts 1 and 2. A writer. Tristan is a gay activist who works for an AIDS clinic.
Young Man Seven/Jasper/Paul Wilcox/Dealer/Doorman #2 (male, 30’s white) Appears in both Parts 1 and 2. A writer. Jasper is a political activist who is also a gay man. In Part 2, he is dating Tucker. Paul Wilcox is a straight man, the son of Henry Wilcox.
Young Man Eight/Jason #2/Clinic Worker (male, Late 20’s early 30’s Hispanic) Appears in both Parts 1 and 2. a writer. Jason #2 is a young gay man who is married to Jason#1. Ability to speak Spanish is a plus.
Young Man Nine/Eric Glass (male, 30’s White) Appears in both Parts 1 and 2. A writer. Eric is a gay man trying to find himself and a purpose for his life. Dating Toby at the top of the show.
Young Man Ten/Toby Darling (male, Late 20’s early 30’s any ethnicity) Appears in both Parts 1 & 2. A writer. Toby is a playwright who is trying to both run from and reconcile his present to his past. Dating Eric at the top of the show.
EM Forster (Morgan)/Walter Poole (male, 50’s any ethnicity) Appears in both Part 1 and Part 2. The storyteller, he mentors the lads as they write the story.Walter Poole is an older gay man who is married to Henry Wilcox at the top of the show.
Henry Wilcox (male, 50’s white) Appears in both Parts 1 & 2. A wealthy businessman who is married to Walter Poole at the top of the show. A gay man, who is desperately
trying to find his life while running from the past and the present.
Margaret (female, 55+, any ethnicity) Appears only in Part 2. The caretaker of Walter’s house.
Disclosures: This is an ensemble show, with most of the characters onstage at most times. Each part is 3.5 hours with two intermissions that will be performed in repertory. It is highly
recommended that those wishing to audition read this play prior to doing so.
Because it is 2 parts, the rehearsal period for this play will stretch from March-July 2027.
Young Man One/Adam/Leo- Very heavy line load. Says the f-word, onstage in underwear only, sexually explicit language, touching same sex, long explicit monologues, kisses Toby, portrays drug and alcohol use, gets surrounded by men, has a scene with himself, eats peanut butter with fingers, fight choreography.
Young Man Two/Jason #1/Doorman 1/Other Agent- curses, says the f-word, uses explicit language, fight choreography. Brief kiss with Jason #2.
Young Man Three/Young Henry/Henry’s assistant/Tucker- makes out with Jasper, says the f-word, curses, uses explicit language.
Young Man Four/Man/Young Walter/Assistant- uses explicit language, says the f-word.
Young Man Five/Charles Wilcox/Toby’s agent- uses explicit language, says the f-word.
Young Man Six/Tristan- curses, says the f-word, uses explicit language
Young Man Seven/Jasper/Paul Wilcox/Dealer/Doorman 2- Heavy line load. Sexually explicit language, says the f-word, makes out with Tucker, portrays drug use and the sale of drugs.
Young Man Eight/Jason #2/clinic worker- uses Spanish words, says the f word, uses homophobic slurs, brief kiss with Jason #1, fight choreography, uses explicit language.
Young Man Nine/Eric Glass- Very heavy line load, hums Bolero, sex choreography, says the f-word, sexually explicit language, drinks alcohol, uses french words, long monologues
Young Man Ten/Toby Darling- Very heavy line load. Says the f-word, portrays drug and alcohol abuse,, sex choreography, uses sexually explicit language, touching same sex, kisses Adam/Leo, fight choreography, long monologues, has a breakaway glass of water smashed on his head, needs to jump off a piece of furniture 2ft off the floor.
EM Forster/Morgan/Walter Poole- Heavy line load. Says the f-word, sexually explicit language, adjacent to the sex choreography scene, drinks alcohol, really long monologue, kisses Henry
Henry Wilcox- Heavy line load. Kisses Walter
Margaret- Very long monologue.